San Francisco City Hall Wedding Photographer

Helpful Hints - How to Crop Wedding Photos

As a very experienced San Francisco Bay Area wedding photographer, I have formulated some strong opinions on the best ways to crop wedding images. In fact, I have always felt that the proper cropping of an images is one of the major factors in the ultimate quality of the final product. I also feel that the drama an impact that a wedding photo has to the viewers is heavily influenced on how the photo is presented. This means that cropping the photo is a very important, but often overlooked attribute to any final image. Click the link to see an excellent guide on Cropping Ratios.

Here are 6 Tips for Cropping Wedding Photos


  1. Match the Cropping Ratio to the Image - The standard crop ratio for professional cameras is 2:3. For cell phones it's 16:9. In my opinion, every wedding photo taken has a appropriate crop ratio that makes it look the best. It is not always about eliminating unneeded space around the main subject. Sometimes you don't really know what the best crop ratio is until you try it on a particular image. For panoramic images that show the architecture at San Francisco City Hall, I prefer the 16:9 ratio. For full length photos of the bride and groom the standard crop of 2:3 works quite well. If you are cropping a headshot or even a close up image of the bride and groom, I tend to like the 4:5 crop ratio the best. As mentioned above, I think that you really have to try the crop out on each photo to see which ratio works the best.

  2. Cropping for Enlargements or Prints - This is where it becomes a little complicated. Unfortunately, different sized prints and enlargements have various crop ratios. Virtually none of them are the same. An 8x10 which is the most popular medium sized enlargement is a 4:5 crop ratio. Often times when you try to convert a standard 2:3 ratio image to an 8x10 print you lose some of the photo at the top and the bottom. This can obviously cause problems if you were not planning for it ahead of time. When I do my family portraits I try to keep this in mind by allowing plenty of headroom above the main subjects. This allows me to crop the image later and makes it work in any size my client wants for a print. It is even more challenging to use a cell phone image to make an 8x10 and it often doesn't work at all. The so-called snapshot size which is a 4x6 print works perfectly with a standard Pro Camera crop ratio. Anything larger than a 4x6 such as a 5x7, 8x10, or 11x14 will have to be cropped in order to fit. So my helpful hint is to allow plenty of room above and below the image if you are planning enlargement prints.

  3. Crop in for drama and feeling - Whenever I am editing my San Francisco City Hall wedding photos I make decisions for the proper crop based upon what I see in the image. If I am in the process of taking full length photos of the newlyweds, but notice that a emotional or funny moment has occurred, this is my cue to crop that particular photo in tight. In most cases, I will have captured multiple shots of the same pose so this will give me the option to do that. In my example above, my main goal was to show the complete outfits of the bride and groom in that particular location. However, after noticing that the couple looked at each other and started laughing, I decided to go with a really tight to show the emotion. I will also crop a photo in tightly if I notice a romantic expression on the couple's faces. This is done because I want that expression to be the center point of the image. If I am just getting a simple smile from the couple I will most likely stick with the full length crop. If something special is happening between the couple in a romantic way this is the perfect opportunity to crop it in tight.

  4. Crop out for displaying background or formal attire - When trying to display the beautiful attire that brides and grooms are wearing, it's very important to keep the photos full length and not cut them off at the waist or knees. And these types of photos, we are trying to show the outfits in detail. This includes turning the bride around and spreading her train or Veil on the floor and making sure to show the whole thing. There is nothing worse then a picture of a bride in her wedding dress and the train is cut off halfway. This same rule also goes for wedding pictures where the background is beautiful. Especially when it comes to San Francisco City Hall architecture, it's important to not cut off parts of the background that need to show. One example is the Grand Staircase. If possible, we want to show the whole staircase so you can really see the beautiful architecture. In other places throughout City Hall there are patterned designs in the background. Here again it's important to not cut the photo off in the wrong place. There is plenty of room in a San Francisco City Hall wedding photography session to show both types of looks both close up and far away depending on what we are trying to capture in the image. Beau-Arts architecture is known for repeating lines, symmetry, and lots of arches. It would be a shame to cut any of these backgrounds off when doing the cropping.

  5. Crop in to eliminate unwanted content - During any San Francisco City Hall photo session there is going to be items in the background that we do not want to show. A primary example of this are other people. This includes tourists, strangers, and other brides and grooms with their wedding photographers. So when capturing these moments it is inevitable that some of these things will show up in the frame. It is usually pretty easy to eliminate this unwanted content by simply cropping it out. The crop ratio I use for this will depend on the overall image and how much I'm trying to eliminate in the background. So I can't really generalize here and say what operation works the best but in many cases sticking with the 2:3 ratio works the best. It's just a matter of tightening up the crop until the unwanted information is eliminated. Besides unwanted people at City Hall, we also have to deal with exit signs, garbage cans, and things that people leave lying around. Again, it's usually just a matter of using a tighter crop to not show these unwanted things.

  6. Try non-standard crops to add drama and fun to wedding pictures - creative cropping can add an element of drama to a photo by doing something out of the ordinary. For example, panoramic crops that are wide and not tall really make a photo look different. As mentioned above, a 16:9 crop is great for architecture, but it also can be great for a large wedding party photo where you just want to show the Bridesmaids from the waist up. Using a 16x9 crop brings the viewer in real close and only allows you to see their bouquets, for example. Sometimes a square crop is appropriate and really gives a different look. It's a crop that people aren't used to seeing anymore despite the fact that this used to be the standard for professional wedding photography. Any of us wedding photographers who used Hasselblad's for their camera can attest to the great advantages of shooting everything Square. This square format crop allows us to crop either horizontally or vertically. This provides a great advantage and flexibility when editing photos.

See Below for Examples of Different Crop Ratios with Similar Images


    4:5 Crop ratio for photos4:5 Crop Ratio Example

    2:3 Crop ratio for Photos2:3 Crop Ratio Example
    16:9 Crop Ratio for Photo16:9 Crop Ratio Example